STUDIES UNIVERSITY COLLEGE OF ARTS CENTRAL DEL ECUADOR plastic AWARDS 1983 Mention of Honor, DRAWING, SALNÉS BLADIMIR DIMITROV, FIRST PRIZE PAINTING QUITO 1986 Hall of OCTOBER, 1987 HONORABLE MENTION GUAYAQUIL Hall of GUAYAQUIL JULIO 1988 FIRST INDUSTRIAL Mention SALNÉS LUIS A. Martinez, AMBATO THIRD PRIZE TEMPERA Hall of QUITO 1991 Hall of JULY FIRST PRIZE GUAYAQUIL (prize polmico) 1993 SECOND AWARD WATERCOLOR Hall of QUITO 1994 UN QUETZAL THE SILVER TEACHER INJURED CARLOS, GUATEMALA WORK IN GUATEMALA BANK ART GALLERY EXHIBITS 1988 CA Alliance Francaise, Quito, June 1992 Lasard LouLou GALERA, Berlin, Germany, September AZK GALERA BOON, GERMANY, OCTOBER 1993 ROOM HENRY JOS HOUSE OF CULTURE WARRIOR ECUADOR, QUITO, ECUADOR CULTURAL CENTER ROOM German, GUAYAQUIL 1994 Art Gallery INVESTMENT GUATEMALA, CENTRO CULTURAL CENTER America DINING EL SALVADOR, CENTRAL America 1995 THE PORTNO gallery, MIAMI FLORIDA, JANUARY - PACIFIC BANK, MIAMI, FLORIDA 1997 UNIVERSITY OF ST THOMAS HOUSTON - TEXAS, NOVEMBER 1999 STUDY OF THE WORKS OF THE METROPOLITAN MUSEUM, NEW YORK HOUSE OF CULTURE 2003 ECUADOR QUITO (DOS D BRUSH MY LIVING CADAS) 2004 HOUSE OF CULTURE 2004 ECUADOR LOJA nucleus of Ecuadorian culture HOUSE OF AZUAY NCLE (Metamorphosis) 2006-2007 MAY EXHIBITION IN THE UNITED STATES EXCLUSIVE INTERNATIONAL GROUP GEYMIKEVIN gyk CA. LTDA. FRAGMENTS OF THE NATIONAL AND INTERNATIONAL Criticism MARALT KYRA. Berlin Germany galley LouLou Jaime Romero Painting Lasarte pulsating life from fear to the cartoon, yet in depth have contracted expresses modern thinking. The opposition to authoritarian regimes in hiding academics early irrupcin anarquay the wild ideas are no obstacle to his work always so poetic and tender with deep roots Through his Americanist your Indigenismo abstract, place this young artist as a benchmark for American plastic. TASSO HADJIDODOU. Guatemala - Central America art critic. Jaime Romero breaks mirrors Vie en Rose, which often sell advertising to display and discover for us what is behind, what we do not recognize, the looks that maybe never be able to see the wounds must heal our consciousness revived. The gestures that characterize his manner of painting transmit force passion, anger, silence, tenderness. Look at his characters without masks in their nakedness Psychic, devoid of glitz. ROBERT S. HANS. Miami Latin American art. Collector. Jaime Romero in his images capture the emotions that melancolay distinguish l as one of the most orignal Latin American artistes jams discovered this series shows the relationship of love between the children away through their irresistible palette constant is the lyricism that is reflected on the CAMVA, in addition to the evocative and powerful emotions. MACARIO MATUS. International Association of French art critic - NESCO Mexico. DF Jaime Romero The production of plastic inside the Ecuadorian landscape confirms, based on knowledge of their culture and art in general. His thoughts invoke and summon to the spectacle of watching and admiring his work, manufacturing, spontaneous, free, librrima, bright, polyphonic, polifactica, imaginative images of the various one-dimensional In turn, this fed into the glorious past of their ancestors and their native culture. From these images and scenarios Jaime Romero's protagonists are the mirror and the reflection of its people, its sensitivity, the pain, struggle and hope of a race that moves and touches. HERNAN RODRIGUEZ CASTELLO. Language Academy of Ecuador, Quito Ecuador Jaime Romero belongs to a generation that, in visual arts above any negation of the previous generation, to deepen in the neo expressionism of his predecessors, immediate radicalizndolo abrindolo one side and the other to new heights. Romero paints the human figure based on morphology elemental, stripped of any detail and expressive faces as simple as strong. Gives life to creatures from weddings to holiday or mass demonstrations or dramticas. The genuine artist is not easy complacency may be required, what is required is the painting and Romero is a real painter, rich and almost disturbing alllo of these creatures and their own horizons. MARCO ANTONIO RODRIGUEZ. Writer, Art Critic Jaime Romero Quito-Ecuador has followed the axiom that he wrote Julio Cortazar to all art: Art Play is going all leave it until the last breath on the mat. Complete Romero was delivered to his office and this has given you a full creative extrados creatures of his imagination, naked glimpses of reality physics populate his world, emerging from this exercise a very particular vision of life and the human figure CARLOS ROJAS. Critical Art Exhibition House of Ecuadorian Culture nucleus of Azuay New Proposals for old ideas mimas installations His work is precisely to make these doors, these objects agrcolas these textiles, that have been held at some place lost in the mountains of the Ecuadorian Andes and makes archaeological figures, so the artist intervenes gently with his paintings in these objects of the tradition, the current returns, to penetrate into the present. In this way the work is completed with this feature elements of the tradition contemporneas interventions. CELI JAIME CORREA. Ate critic journalist Loja Ecuador Coded expressionist strokes in colors between Orange, yellow, earthy red ascomata an intentional blurring and masterful and dim romantic flavor, its concept and perception of the man immersed in his robe circumstantiality, space-time, Ascom traditions and customs, is displayed to the observer with a strength and power of conviction, more than Nicos, original and testimonials identity.